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UCR’s Department of Theatre, Film, and Digital Production is staging “Vietgone” by Qui Nguyen through Feb. 24. Nguyen described “Vietgone” as a “probably-mostly-true” and "zany, sex comedy” about how his parents met in a refugee camp at Fort Chaffee, Arkansas, after the fall of Saigon in 1975. His future father...
The first exhibition in the New Acquisitions Series is the artist Zoe Crosher’s seven photographs that make up "LA Like: “Transgressing the Pacific (2008–10).” Alyse Yeargan, collections manager for the UCR Arts’ California Museum of Photography, or CMP, says she chose Crosher’s photographs for several reasons. The works are “emotionally...
Ruth Charloff, the conductor of the UCR Orchestra, says the upcoming performance of UCR’s orchestra will begin with Henri Büsser’s orchestral adaptation of Claude Debussy's “Petite Suite for four-hands.” The suite Charloff said, “is an intimate piece.” “Think about two people sitting next to each other on one piano bench...
When discussing the exhibition, “The Impact of Images: Mamie Till’s Courage from Tragedy,” Douglas McCulloh says, “Her decision to have an open casket and insist Black photographers be present wasn’t just courageous.” The casket was for her 14-year-old son, Emmett Till, “who was abducted, tortured, and lynched in Mississippi in...
As you enter “ Every Day We Must Make the Reality of This World: AI Post Photography,” you step from a darkened, industrial space into a bright white room that curves around to an exit. It’s like stepping into the Discovery One spaceship in Stanley Kubrick’s “2001: A Space Odyssey.”...
The stage of the ARTS Building’s Studio Theatre is a floor with seating on three sides. For the theatre department’s latest production, “Airness,” the stage is converted to a Staten Island bar, with the bar and stools set back to the right and tables and chairs to the left. Downstage...
At an orchestra’s rehearsal, a listener can get a sense of the relationship between the conductor and the musicians. With Ruth Charloff, the conductor of the UCR Orchestra, we discover she is more than a conductor. She educates her students in performance expertise, while also showing them the rich history...
On the second floor of the California Museum of Photography, a catwalk leads to the exhibition, “Jon Henry, Stranger Fruit.” At the end you see a portrait lit on either side by chrome light tubes on a purple wall. Below the shadowy catwalk, light shines up from the first-floor exhibition...
A mist shrouds the stage, and the angled light creates shadows and mystery. It could be dawn or dusk. At center stage sits a large wooden box with a lock hung on the hasp as if ready for an escape artist to perform his act. Crates, a lamp, and other...
